A Beginner's Guide to Rock Gardens

Publisher Marketing: Table of Contents A Beginner's Guide to Rock Gardens Introduction Wrong Way Of Placing Rocks The Right Way to Place Rock Stones Good Rock Work- Flat Ground Wall Stones on Slopes Choosing the Best Soil Building Your Rock Garden Planting Your Rock Plants Maintenance Conifers Bulbs List of Rock Plants, depending on the Particular Conditions and Places Rock Plants For Walls Crazy paving plants - Conclusion Author Bio Publisher Introduction Rock gardens have been part of landscaping and gardening lore for millenniums. In the East Japanese rock gardens or Zen gardens have been places where people could meditate in serene and harmonious surroundings. Why are more people designing their own gardens incorporating at least one rock garden in the design? Even if the rock garden is quite small, it is going to add a touch of distinction to the landscaping of your garden. In Japan, rock gardens were normally built as dry landscape gardens, where a number of landscapes were made up of natural compositions made from natural products incorporated into a landscape. These natural items included bushes, trees, Moss, water, rocks and sand. One believes that the concept of rock gardening originated in China, especially when the ancient religion of Shintoism spoke about places of harmony where one could commune with nature and the spirit in serenity. These were normally made in monasteries, where they could be seen from one focal point, like say the porch of the head priest of the monastery. These dry Landscape gardens which you call a Zen garden in Japan were built to be seen from one viewpoint, with the walling closed around it in ancient times. Nowadays they stretch on for miles incorporating all the natural features available and present in the area to make up harmonious surroundings. Japanese Zen gardens go back to 784 BC. Chinese gardens have been around for even longer. The incorporation of gravel and white sand in a Zen or rock garden was an important feature. These were the symbol of distance, emptiness, purity, white space and water. All these symbols were supposed to aid in meditation. White sand and gravel used harmoniously together were also used around temples, shrines and palaces. Contributor Bio:  Davidson, John John Davidson was born in Barrhead in Renfrewshire in 1857. He spent his childhood years in Greenock, and after working as a pupil-teacher and briefly attending Edinburgh University, taught in schools in Glasgow and Perth. In 1989 he moved to London where he made his living as a journalist and critic. Several dramas had been published while he was still in Scotland, but in the 1890s he turned to poetry, and published several collections which were very popular: In a Music-Hall (1891) and Ballads and Songs (1894) amongst them. These were poems which chronicled urban working class life, and his sense of outrage at the poverty of the ordinary man, as expressed by the much-anthologized 'Thirty Bob a Week'. At the beginning of the new century he moved away from the lyric and began writing in blank verse which incorporated much scientific language; this series of Testaments were not as successful as his earlier ballad style, though Hugh MacDiarmid was to pay tribute to Davidson's attempts to combine poetry with scientific ideas. Despite the early popularity of the poetry, financial difficulties constantly plagued Davidson; he had had no choice but to continue with the journalism he disliked in order to support his family and other dependents. Sadly the money worries, combined with ill-health and depression, drove him to committing suicide in 1909.