Canto Ostinato

Canto Ostinato is a major composition of the dutch composer Simeon Ten Holt (1923-2012). Whilst in the early 1970s many composers occupied themselves with serial, atonal or electronic music, Simeon Ten Holt returned to tonality. He wasn't conservative nor aiming for easy succes, Ten Holt felt he had to do this. He was suffering from

what he called 'artistic and creative anemia'. It was not that Ten Holt had not mastered modern complex musical techniques, indeed between 1950 and 1970, he had composed several compelling and well written pieces in a post-serial style, but modern was never truly his idiom and composing language.

In the early 70s Ten Holt began to doubt the music he was composing, he fell into a sort of crisis, realizing his approach had to change. One evening he sat behind the piano and rediscovered the physical aspect of composing, thus the first notes appeared of what would become Canto Ostinato, an evening-long composition for keyboard instruments, a musical landscape without a horizon; a composition without beginning or end. The score is laid out as a route for the performers to take, using the so called 'drift parts' at will. The number of players is undetermined, as is the total length and the number of repetitions of the various selections on which the composition is built. The freedom left to the performers gives them a great responsibility towards the final result.

Canto Ostinato was originally written for keyboards from 1976-1979, but has since then been performed and recorded on many different instruments. This CD is the first recording of this piece performed by eight saxophones.